TheHarpyEagle

Okay, I watched the whole video and I have to disagree. The first half of the video is about how music is too easy to create, and only part of it is really about how corporations are using their catalogue to train AI, which I agree is scummy. However, the rest is about how the barrier of entry is lower, and he doesn’t really articulate why that’s a bad thing. Yeah you can make really sterile stuff at a fast rate, but you can also put work in and create something unique even with cheap tools. It kinda feels like saying every artist who uses MSPaint just copies and pastes Clipart, ignoring the few who make visually stunning pixel art. If anything, we’ve trended a bitaway of the stranglehold of companies in the last decade due to independent creation being much more viable.

He also says that modern music is subject to trends, which I think is a weird distinction to make. Old music is full of trends, because people would try to replicate what was popular on the radio. How many parents tried to make the next Jackson 5? I’m sure some followers of trends put out great stuff, but a lot of it was trash, same as ever.

Likewise, I find the second part overly steeped in “wrong generation kids these days” emotion. If he made more of a point of how streaming services rake artists over the coals, or the value of listening to full albums from artists you want to support, or about how cheap streaming services cannot financially support the large number of artists they carry, then I would agree. But he makes a big point of saving up and buying an album with his allowance which is purely a nostalgic feeling that is still felt by kids today. I also feel that we’re just a lot more cautious of integrating artists into our personality just due to the fear of them turning out to be terrible people.

So, enshitification of streaming services? Yes. Enshitification of the entire industry? Not so much. Also nothing is going to make him sound more out of touch than calling phones “thought deletion devices.”

Sync, I’ll be sure to let them know. Thanks!

Weird, I did format it that way but it doesn’t seem to stick on editing

I had someone with a super long scarf play basically the entire second half of the game with me. So fun to find ways to communicate with just the little pulses we had.

!Also absolutely heartbreaking when wet froze together at the end!<

I also played their other game Flower, on the PS3. Probably the only time I’ve enjoyed using motion controls on that system.

I’ve also used hacker keyboard to ctrl+c/ctrl+v when apps block the regular context copy/paste actions, pretty handy.

Yeah, cause remasters always go well coughGTAdefinitive ahemWarcraft3cough.

Even then, what motive is there to prevent people from getting the original if they want to? Well, other than being able to charge $20-$40 for a 20 year old game.

Also if you live in, say, Flint, MI, you have reason not to trust the tap water.

I find this kind of baffling, honestly. Like I’ll follow this one to see how reviews turn out, but superstars was by all accounts what people had been asking for. So they released it and… that’s it, no updates for more characters and maps, not even as paid DLC. Why didn’t they do more development on it?

I think we generally agree, but I worry that a new platform couldn’t do more than GoG+Lutris already do. Perhaps, though, it could be done with a reputable foundation.

And the lawsuit is more or less what I was radio referring to with Steam’s price rules. I would definitely be on board with striking the requirement for publishers to offer the same price on all platforms at the same time.

On that note, though, I wouldn’t take the whole case at face value, as I think parts of it are pretty frivolous (unless they prove that Steam is actually actively stifling competition and, you know, not just a decent platform that entered the space first.) I also think it’s silly to point out Epic’s lower commission rate since they’ve been giving out free games like candy and actually making third party games exclusive to their platform in a very clear attempt to compete with Stream. There’s absolutely no guarantee that they won’t raise their commission once they have a foothold in the market (though I do concede that their licensing terms for Unreal Engine have remained fairly reasonable).

On the one hand, yeah it’s absolutely important not to idolize any company, because they have no sense of loyalty or generosity. Telling yourself otherwise is a guaranteed path to disappointment.

On the other hand, of all the shit sandwiches we’ve been served, Steam is one of the fresher ones. Though they developed Proton for their own benefit, it’s pretty undeniable that it has made gaming on Linux way more viable than it has ever been, and it’s open source. I mean no shade to FOSS solutions like Lutris, but having paid developers work on a project full-time certainly has its advantages.

I do think that the concerns about Steam’s pricing rules are valid, as are gripes with its DRM for first party games. But, overall, they’ve brought a lot of convenience to PC gaming that is hard to find elsewhere in the gaming world.

I mean they’re pretty open about wanting to do away with the EPA.

Nobody would want to get into a game that requires hundreds of hours of homework before they can finally start to become good at the game.

This is a huge issue I have with a lot of established online games. A lot of the advice is just “watch this video, follow this guide, use this meta build or we’re not going to play with you.” I play games to have fun learning mechanics, experimenting with builds, and organically exploring the world. I may eventually use guides to get caught up, but the game has to be fun at its core before then. At least in smash, you’re the only one who has to worry about your performance.

I remember trying out the beginner mode on DotA a few years ago. Good idea in theory, but in practice I made a single mistake and was blamed for the loss of the entire game. They probably weren’t wrong that I tipped the balance towards the enemy side, but it would’ve been nice to get some pointers or guidance instead of just “GG Harpy”. Made me not want to touch the game again.

It’s also really easy to lock yourself out of questlines by completing seemingly unrelated objectives. I get that being inscrutable is kind of a hallmark of these games, but I found myself unable to dig into some of the plotlines that really intrigued me.

Oh hell yes. I really liked the way AT went with song covers once Sugar left, but I’d love to get a new original song with them back on the project.

Oh yes absolutely, there are bots constantly crawling any open source code. A friend of mine accidentally leaked their discord API key, nuked a whole server within minutes.

I kinda like using emoji that are similar to my skintone. Not really making a statement, but somehow it feels a little more “me.” Hard to explain why it matters, it’s not like I won’t use the yellow ones if that’s all they have. Just kinda like “hehe, that’s a lil me in that message.”

What does “a horse leaving the barn” refer to?

It could be credibly called an homage if it had a new punchline, but methinks the creator didn’t know what “sanitize” meant in this context.

It’s bizarre to me, he called himself a terrorist like 3 times in that article, why wasn’t he charged for that?